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January 31, 2008
Free association

Tom Zé, "All the eyes" album, Brazilian Musician
And when I brought the razor closer and with my fingers separated the borders of his anus, Estefania, my astonishment knew no bounds. My first thought was that Palinuro mistrusted me and had decided to spy on me; you won't believe this, Estefania, but there, in his anus, Palinuro had an eye.
'It's an optical illusion.' he said.
'No sir, it's an eye.' I answered.
'What colour?'
'Blue.'
'It's the Universal Eye.'
'That's a metaphor,' I said to him, 'And what you have in your arse is no metaphor but a real eye.'
'Are you crazy?'
'No, I'm not crazy. The General's glass eye, which you must have swallowed last night in your drunken stupor'.
--Palinuro de Mexico, Fernando del Paso
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January 27, 2008
The weekend's little pleasures
But a great deal of nonsense is written about characters in fiction - from those who believe too much in character and from those who believe too little. Those who believe too much have an iron set of prejudices about what characters are: we should get to "know" them; they should not be "stereotypes", they should "grow" and "develop"; and they should be nice. So they should be pretty much like us. A glance at the thousands of foolish "reader reviews" on Amazon, with their complaints about "dislikeable characters", confirms a contagion of moralising niceness. Again and again, in book clubs up and down the country, novels are denounced because some feeble reader "couldn't find any characters to identify with", or "didn't think that any of the characters 'grow'". -- James Wood in the Guardian, last Saturday.
This is pretty much an elaboration of what Nabokov said on his Literature lectures. They're also both as truculent:
Or, and this is the worst thing a reader can do, he identifies himself with a character in the book. This lowly variety is not the kind of imagination I would like readers to use. -- Nabokov, Literature Lectures
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Taking books out of boxes.


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Her image accompanied me even in places the most hostile to romance. On Saturday evenings when my aunt went marketing I had to go to carry some of the parcels. We walked through the flaring streets, jostled by drunken men and bargaining women, amid the curses of labourers, the shrill litanies of shop-boys who stood on guard by the barrels of pigs' cheeks, the nasal chanting of street-singers, who sang a come-all-you about O'Donovan Rossa, or a ballad about the troubles in our native land. These noises converged in a single sensation of life for me: I imagined that I bore my chalice safely through a throng of foes. Her name sprang to my lips at moments in strange prayers and praises which I myself did not understand. --Arabya in Dubliners by James Joyce
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Roi Vaara, Artist's Dilemma, 1997 (my pic of the London South Bank Centre February leaflet)
Which illustrates perfectly why the cult of the author who researches extensively and writes realistically is actually very non-artistic. A novel is one thing, literature is quite something else.
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Um homem que se passeava nu na Praça de S.Marcos em Veneza foi salvo no último momento de ser preso por atentado ao pudor, por um bando de pombas que o vestiram completamente de branco.
As autoridades marítimas investigam o misterioso desaparecimento da linha do horizonte ao longo de toda a costa atlântica.
Levaram-no ao Serviço de Urgências. Perdera a fala subitamente. O médico que o assistiu veio a apurar que ligara as cordas vocais entre si para conseguir escapar da sua prisão interior.
Extractos de A greve dos controladores de voo de Jorge Sousa Braga
(esperando que o Jorge Sousa Braga não se zangue) Here's a probably poor translation:
A man who strolled naked on St. Mark's Square in Venice was saved at the last moment from being arrested for indecency when a flock of doves dressed him in white.
The maritime authority is investigating the mysterious vanishing of the horizon along the whole Atlantic coast.
They took him to the Emergency Room. He had suddenly lost his voice. The doctor who attended to him came to the conclusion that he had tied together the vocal cords to escape his inner prison.
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