November 20, 2009
Following Eco's Poetics of Cataloguing
I like Jerusalem Artichokes | Sempé's Cartoons | Mendelssohn | Camilleri's Montalbano | Conceptual art | Being read out loud to | Sunny, cold Autumn days | Warm clotted cream rice pudding | to cook | to read | to go on long walks | to be naked in the cold rain after a hot sauna | to drive abroad without a map | Caillebotte | the colosseum in Rome | BBC Radio 3 | Eric Rohmer's movies | Lamb's Conduit | snow | heirloom tomatoes | Freud's Wolfman paintings | Francis Alys | Mariage Frères Tea | the smell of roasted peppers | warm wool socks | head massages | Purcell | Stationery | quakers | pedestrianized bridges | the Prado | moss | ripe persimmons | ligne claire drawings | making quince paste | older people | the japanese garden in Holland Park | Amartya Sen | Turin | old cemeteries
I dislike the monument to Vittorio Emanuel II in Rome | celebrity chefs | almonds | shopping malls | pre-prepared meals | "working lunches" | strong winds | bitter fruit | italian operas | noise | shopping for shoes | having a haircut | yoga | bracelets | boats | long skirts | Berlusconi | strong coffee | the toes in the subjects painted by Botticelli | the smell of disinfectants | pink flowers | squirrels | cemented front yards | gps | Tony Blair | Dogu figurines | women wearing leggings without a skirt on | bull terriers | Barcelona | chocolate with nuts | Wedgwood's Jasper White on Pale Blue Porcelain | Live chickens | People speaking on bluetooth headsets | old plays adapted to a contemporary setting | guitar jazz other than gypsy swing | Rothko paintings hanging in brightly lit rooms | putting the liner bag inside the garbage bin | celtic music | when there's wet cardboard on the sidewalk | Schoenberg
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Asked R. for help with the dislike list. He said "that's easy, you're always ranting about something" and then proceeded to remind me of my pet hates.
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November 18, 2009
Prosper
It's such a joy for me to subscribe to Sotheby's auction announcements and to be able to browse their e-catalogues. It's as if I am awarded a glimpse of a beautiful work of art or of a piece of memorabilia that will soon submerge once more into the deep waters of private ownership. Almost in a week's time, they're auctioning off some wonderful items on a Paris book sale. My favourite being a doodle-like self-portrait of Merimée in prison.

Merimée has been lately on my mind ever since I compiled a little guide (self-published on Lulu.com and everything!) for our summer roadtrip in the south of France and realized how much of our sightseeing was provided by his conservation efforts as a Inspector of Monuments. This led me to find more about Merimée and his life which in turn made me want to draw a relationship map of his lovers, friends and acquaintances. I'm pretty sure it would cover a huge part of 19th century France's intellectuals. And through Merimée's biography I discovered Guglielmo Libri. Reading "The life and times of Guglielmo Libri (1802-1869) : scientist, patriot, scholar, journalist, and thief : a nineteenth-century story" is like paging through a bookish thriller, the sort where you end up hoping the bad guy will get away with it - even though he is a book defacer and manuscript robber. In any case, Merimée did side with Libri and that's why he ended up in prison. It's also why Sotheby's has this particular sketch to sell since otherwise, Merimée seems to have been a law abiding citizen.
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November 09, 2009
Historically induced awe
A feeling of awe: attending a book launch among a small audience that included 92 year old Eric Hobsbawm. It's like having the whole 20th century sitting there with you.
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November 04, 2009
Domestic silly scenes
C: What are you thinking about?
R: Nothing at all.
C: But that's amazing!
R: Huh?
C: There are people who spend decades in buddhist convents trying to achieve that.
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October 28, 2009
I've been having weird, weird, weird dreams. "Aren't they all?", you'd say. I know, I know. But mine are usually very frivolous and I wake up annoyed at myself for losing REM time with things such as Carla Bruni turning out to be Juliette Binoche wearing a wig. Yet, lately, I've been having dreams that sound like Umberto Eco plots. The best of them all was one where I was sitting in a dusty library reading manuscripts and I had made a fantastic discovery regarding John Chrysostom and cartography. Whatever the discovery was, it was so exciting that I woke up, convinced it was real and that I should get up and write it down. I didn't, so I have no idea what it was.
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October 26, 2009
Huh?
Can anybody explain to me why is that the french trailer for the new Zemeckis animation movie boasts "Jim Carrey est Scrooge" when the movie is dubbed in french (presumably not by Jim Carrey, says I)?
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October 22, 2009
Fall out
The letter was suprisingly rather informal and asked her why hadn't she responded to the previous ones. It finally said "Take a look at the last New Yorker you received. How would you live without it?"
"Just fine", she said while she unfolded the Times Literary Supplement which was also in the mailbox.
(and to compensate for the lack of the odd Sempé cover, I'll buy a couple of the Phaidon albums)
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The education of an american
Walking by the British Library, I point at a poster with a Marie Curie quotation: "Nothing in life is to be feared, it is only to be understood."
C: That's a good one.
R: Didn't she die of radiation poisoning?
To think I am supposedly the cynical european in this couple.
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October 14, 2009
Catching up
I've been so neglectful of this blog and I blame Twitter and Facebook. And my laziness. It's so much easier to write a sentence and click enter. And then one fine day I'm trying to remember the name of an author or of a book that I've read, I google my own blog to find it and realize why I do this after all. It is public which means that at least I have to write complete sentences rather than jotting down some notes but, in the end, it's my own diary without the naughty bits.
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I've been thinking that this obsession with cooking and chefs has to be related with that endangered species: the housewife. There was a time you'd learn how to cook with your grandmother or great aunt; they'd teach you the little tricks for the perfect steamed rice or how to skin a garlic clove in 1/2 a second. And they probably didn't even attend school. Now, you trust that some man (in most cases) knows all about that arcane science of cooking. It's a bit like all those books about child rearing. Everybody has been doing it for ages and humanity isn't, on average, getting any cleverer or less screwed up. So it is with cooking. There's no mystery.
*****
Just as the Queen does, I moved my birthday to the following Saturday because of a sore throat acquired while visiting the fatherland. Yet, I couldn't miss going to the LRB's 30th anniversary party/book sale that coincided with my own birthday. Got meself the new Max Weber biography.
*****
Also at the LRB, I attended a talk by John Bainville and John Gray about Simenon. It was entertaining in the way that listening in on a conversation by literate people around a table is but they couldn't claim to be experts in any case. The highlight of the evening was when during Q&A a Drunken-Zizek-on-a-bad-personal-hygiene-day-lookalike asked if Simenon wore a mustache or a beard because if he had slept with 3000 women he HAD to sport a beard since that's what women prefer. A reminder: Zizek has a beard and so did his lookalike.
*****
We went on a adventure of epic proportions to Paris. Which means a family trip involving 3 people over 60 and a 59 year old. They all behaved really well, got along well and were very un-fussy and would have been happy to have been fed sweet crêpes all day.

Mom in a Toulouse-Lautrec background at the Musée d'Orsay
*****
I need to get a book on Caillebotte. I don't think I was aware of the existence of this painting at the Orsay and, on entering the gallery, I was attracted to it as if it were a claudia-magnet.
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*****
I finally read "The Maltese Falcon". I was shocked: Spade is described as having pale brown hair. Hammett didn't have the prescience to imagine that Bogey would be the perfect Spade. All tough guys are dark skinned and dark haired. Everybody knows that.
*****
Sociologist David Riesman's 50's book "The Lonely Crowd" summarized in one sentence: "Most people don't know what they want from life until their neighbor gets it".
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July 13, 2009
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By the end of the nineteenth century, Florence was a key destination for cultured travellers from Europe and America. Writers such as Wilde, Rilke, and Mann, painters such as Degas and Klee, and, not least, the young art historian Aby Warburg and his wife, Mary, flocked to Florence to escape the encroachments of modern life at home and to revel in the city's rich artistic and cultural past. This beguiling book fuses narrative and ideas to consider how the encounter between modernism and Renaissance culture was experienced by both visitors to Florence and its inhabitants. Based on Aby Warburg's letters, diaries, and notebooks, on Italian and German archives and on conversations with E. H. Gombrich (director of the famous Institute Aby Warburg later founded), the book is an intimate guide to life in Florence and the theatres, restaurants, galleries and salons frequented by visiting cultural exiles. At the same time, the book paints an evocative picture of a city at the cusp of the modern age, adjusting to electricity and the motor car on one hand and to social unrest and a clash of cultures on the other. -- publisher's blurb
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I want to sing the non-scholarly-bookish-art-amateur praise of Bernd Roeck's "Florence 1900" published by Yale UP. In fact, I liked it so much that I hate myself for already having finished reading it. And for not knowing enough German to read his other books.
It's highly scholarly and yet very readable. Permeated with valuable information - and interesting tidbits - you'll never find anywhere else because Roeck read the unpublished sources (including Aby Warburg's personal papers and a magazine 'Il Marzocco" that I'd kill to get my hands on - preferably translated and annotated). If there's a book that can vividly portray the zeitgeist of any particular era or place this is it.
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Meanwhile, I need to keep the links to all the interesting things (so many of them in the public domain!) I've learned via Roeck somewhere, so bear with me.
Leo S. Olschki, Florentine collector and bookseller of Renaissance books and prints.
Found a catalog of his ("Choix de livres anciens rares et curieux en vente à la librairie ancienne Leo S. Olschki (1907)" on archive.org from where this pre-darwinian drawing was taken from.

Charles Godfrey Leland's Etruscan Roman remains in popular tradition; (1892) should be entertaining since the information source for the work of this amateur ethnologist were italian "witches" who accepted money in return for the confirmation that secret worshiping of ancient gods and etruscan magic was still in use in Tuscany in modern times...
Jacob Burckhardt's "The Cicerone: An Art Guide to Painting in Italy. For the Use of Travellers and Students (1879)" is online! Burckhardt was seemingly against the "documenting" of history so it ends up being an entertaining collection of informed opinions. And it was the book everybody at that time used an arts oriented travel guide. Of it Nietzsche enthusiastically said: "It seems to me that one should wake up and fall asleep reading Burckhardt's Cicerone: there are few books that can so stimulate phantasy and prepare one for the conception of the artistic.
The aesthetic sensibilities of an age as seen through the writings about Botticelli in Anatole France's "Le Lys Rouge": "Darling, do you not know it is the custom of Florence to celebrate spring on the first day of May every year? Then you did not understand the meaning of Botticelli's picture consecrated to the Festival of Flowers. Formerly, darling, on the first day of May the entire city gave itself up to joy. Young girls, crowned with sweetbrier and other flowers, made a long cortege through the Corso, under arches, and sang choruses on the new grass. We shall do as they did. We shall dance in the garden."
In Zola's "Rome": "Narcisse for his part had not raised his eyes to the overpowering splendour of the ceiling. Wrapt in ecstasy, he did not allow his gaze to stray from one of the three frescoes of Botticelli. "Ah! Botticelli," he at last murmured; "in him you have the elegance and the grace of the mysterious; a profound feeling of sadness even in the midst of voluptuousness, a divination of the whole modern soul, with the most troublous charm that ever attended artist's work."
People in the quattrocento preferred Gozzoli to Castagno. "the affably conciliatory was preferred to the emotionally impressive" as Aby Warburg put it.
Isolde Kurz's Die Humanisten. Lost manuscripts and monks à la Umberto Eco.
Vernon Lee's "Renaissance fancies and studies (1896)".
Bernard Berenson's essays and catalogues. "Among US collectors of the early 1900s, Berenson was regarded as the pre-eminent authority on Renaissance art. His verdict of authenticity increased a painting's value. While his approach remained controversial among European art historians and connaisseurs, he played a pivotal role as an advisor to several important American art collectors, such as Isabella Stewart Gardner, who needed help in navigating the complex and treacherous market of newly fashionable Renaissance art. In this respect Berenson's influence was enormous, while his 5% commission made him a wealthy man." -- from wikipedia
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